top of page
  • Writer's picturemapasconfinamento

Ana Gilbert

Updated: Jul 6, 2022

Translated by Han Hu


I don't know your name, I never had the courage to ask. But we are neighbours. Of life. We live under the same skin, even though many meters of frayed fabric separate us. I don't know where you are; I pass through our usual haunts and all I can see is your absence. Which pavement are you sitting on now? What have you been jotting down in your torn notebooks? I would love to read your notebooks, your words. Or could they be drawings? They might be scribbles, barely suggested forms, expressing nothing to me but vital to you. (I dreamed of them.) Your latent story, waiting to be told; and I would suffer from my inability to decipher you.

I miss how you wave wearing all those rings, the overlaid clothes that wrap you up on days of intense heat and that are like many layers protecting something very delicate you carry on the surface of your skin. I miss the bags that transport your world and contain your dreams; your mobile home. And I miss your smile, conquered with the daily exchange of shy looks. I never had the courage to stop and photograph you, to ask for your permission to choose the best angle, the one which shows your beauty blossoming forth. Permission to freeze your pulsation in time; to touch you with my body turned lens.

I review the sinuous choreography of those who cross your path, the averted gazes and steps demarcating territories of existence, and I ask myself which path could lead me to you. I don't know where you are and yet I believe I can find you in some corner of myself. I'm afraid to sit next to you and see the world unveiling itself at your eye level. I’m afraid of what you carry in your body (or soul?) would, I sense, flow over me at the first touch. I’m afraid of inoculating myself with your humanity and being mortally wounded in my arrogance. I try, in vain, to protect myself with the safe distance of anesthesia.

I think our conversation would be made up of discomfort and restrained gestures; traversed by the unpleasant smell of abandonment, which trails behind you and which I can't bear to inhale. (Would you be able to smell my antiseptic scent of sanity?) And our farewell, a mixture of relief and pain. I don't know where you are; I don't know your name. Would I ask, if I saw you today?

Linhas sem fuga
©Ana Gilbert


Ana Gilbert was born in Rio de Janeiro, Brazil. She's a psychotherapist, researcher and photographer. She's one of the founder members of Minimalista Editora, together with other fellow writers in Portugal. Her work with images, words and imagination led her to a mix of literature and photography, exploring images as narratives. After many years of academic writing, she now dedicates herself to fictional writing. Her constant creative purpose is to transform words into photography and photography into words. She works in partnership with writers and photographers: she photographs words (her own and others') and writes photographies. She manages the blog Sutilezas do Olhar and contributes to the collective blog Fotografar Palavras.

Han Hu graduated in Portuguese Language from Beijing Foreign Studies University and is now doing a Master’s in Modern Languages at Oxford with a focus on Brazilian Literature and African Literature in Portuguese. A few selected short stories by Teolinda Gersão translated by Han were published in China in 2022.

53 views0 comments

Recent Posts

See All


bottom of page